I am. I am. I am.


Men I’ve observed are generally turned on by a glossy poster of a woman in some cupcake pose her tits hanging out of a tight greasy bodice, her ass stuffed into a tight skirt, her thighs slammed fiercely together in a way that suggests they could also fly apart and open. For you. Steam gushing out of her twat. Dripping wet. Of course I am getting hot as I describe her—cause I’m writing. And she goes oh is this your book?—And you notice the open volume in her hand. Like religious iconography. She’s saying something coy: the open book. That just means fuck me—I do get a little turned on by this—but what I am attempting to say is that a man will always shake his meat at a picture. A woman prefers a story, a growing possibility, an imagined line.

— Eileen Myles, Inferno

Ask Me Anything

My mom is yelling at my brother and I overheard this.

  • Mom: GO TO YOUR ROOM
  • Brother: that's not fair
  • Mom: DO AS I SAY.
  • Brother: You never send Lizzie to her room when she's in trouble!!
  • Mom: Lizzie never leaves her room. If she were in trouble I'd make her sit in the living room or go outside or talk to human beings.
  • Me: I CAN HEAR YOU.

Source: realparadoxsocks

People of all sexes have the right to explore femininity, masculinity—and the infinite variations between—without criticism or ridicule.
— Leslie Feinberg (via llevartealhuerto)

Source: joshuahudson

Source: thechocolatebrigade

Source: thechocolatebrigade

Source: thechocolatebrigade

Source: caturday

gifsfln:

Michael Cera and Reggie Watts sing a beautiful song about friends and pie

Source: top5funniest.com

Source: thedesolatebeauty

Source: mattyrolls

Andres Bedoya   “Ultra Madre”   [Video]

In 2009 Andres Bedoya organized a haunting performance installation “Ultra Madre,” in which 57 women lay still on the scaffolding of the main arch of the Museo Nacional de Arte in La Paz, Bolivia. For one hour the women did not move, their long, black hair cascading down the 15-foot structure. The jarring image of the soft hair against the rigid architecture stirred a quiet but lasting sense of unease.

Installation and Performance - mixed media, approx. 8’ w x 15’ h x 5’ d, National Museum of Art, La Paz, Bolivia, 2009.

Source: The Huffington Post